Auburn Avenue Research Library Digital Exhibits

Items

• Daughters of Los Angeles Links (Portia Broussard & Darrilyn Butler)
  Booklet page from the 20th Annual Cotillion program featuring the daughters of members of the Los Angeles Chapter of The Links, Incorporated. The photograph shows Miss Portia Kim Broussard and Miss Darrilyn Selena Butler standing together outdoors, dressed in fashionable early-1970s attire and wearing name badges identifying them as participants. Cotillions organized by Links chapters served as important social and cultural events within African American communities, celebrating youth achievement, etiquette, and leadership development. Programs often highlighted the daughters of members and recognized their participation in activities designed to cultivate confidence, education, and community service.
• Photograph: Asa G. Yancey's Daughters Caren & Carolyn, undated
  Photograph of a group of young girls gathered indoors with two adult women, taken around the 1950s. In the front row, center, are Caren and Carolyn Yancey, daughters of Asa G. Yancey Sr.. The girls are identified as members of “Jack and Jill of America,” a national organization that supports leadership development, cultural awareness, and social engagement for African American children. The children sit and stand closely together on a sofa and floor, smiling toward the camera, some holding dolls or toys. Two adult women stand behind them, likely supervising the gathering. The setting appears to be a living room, suggesting a social or educational activity organized through the Jack and Jill chapter. The image captures the importance of community networks that nurtured friendship, cultural pride, and leadership among African American youth during the mid-twentieth century.
• Nell & Rosemary (granddaughters)
  Informal outdoor photograph of two young African American girls identified as Nell and Rosemary, granddaughters in the family represented in the Jesse O. Thomas papers, taken in 1945. One child sits in a small wooden chair while the other stands beside her, both wearing light-colored dresses and ankle socks. The photograph was taken in the yard beside a wooden house, with the porch and screen door visible behind them. The candid composition captures a quiet moment of childhood and family life. Images like this document everyday experiences within African American families during the mid-twentieth century, preserving memories of children, home environments, and intergenerational relationships.
• Nell Thomas & Anne Braxton
  Hand-tinted studio portrait of an African American family group taken around 1930. Nell Thomas sits in the center, surrounded by four young women, including her daughter Anne Braxton, who stands third from the left. The women wear light-colored dresses typical of the late 1920s and early 1930s, and the photograph has been delicately hand-colored to highlight their clothing and skin tones. The carefully posed composition and decorative studio mount reflect the importance of family portraiture within African American communities. Images like this celebrated kinship, pride, and generational connection, preserving moments of unity and affection across mothers and daughters.
• Young girl dressed up and sitting on decorated chair, undated
  Portrait of a young African American girl seated on a decorated chair, photographed around the 1950s. The child is dressed in a frilly formal dress with lace trim, white socks, and Mary Jane shoes. A headband adorns her hair, and she smiles gently toward the camera. The carefully arranged outfit and decorative chair suggest the photograph was taken for a special occasion or formal portrait. The image reflects the pride families took in presenting their children with care, elegance, and celebration during mid-twentieth-century African American family life.
• Unidentified school pageant group, undated
  Photograph of a group of African American teenage girls participating in a school pageant, circa 1960s. The young women wear formal gowns, gloves, and pageant sashes while holding bouquets. At center, a crowned participant sits wearing a cape and holding flowers, surrounded by other contestants. The image reflects the pageantry, celebration of beauty, and ceremonial traditions that highlighted confidence, accomplishment, and community pride among African American youth during the mid-twentieth century.
• Unidentified Girl Next to Chair, undated
  Cabinet card studio portrait of an unidentified young African American girl standing beside an upholstered chair, photographed in Atlanta in the 1890s. The child wears a long, lace-trimmed dress and holds a small bouquet, posed formally against a studio backdrop. The image reflects the traditions of childhood portraiture and the importance of documenting family life and respectability in African American communities in the late nineteenth century. The child may possibly be Selena Sloan Butler as a young girl, though this identification is not confirmed.
• Unidentified Girl in Formal Attire, undated
  Cabinet card studio portrait of an unidentified young African American girl dressed in formal attire, circa 1880s. The child wears a long, decorative dress with lace details and holds a small bouquet, posed before a painted studio backdrop. The photograph reflects the importance of portraiture and formal dress in documenting family pride, childhood, and social presentation within African American communities during the late nineteenth century.
• Sigma Gamma Rho, Debutante Ball, undated
  Photograph of a debutante presentation ceremony hosted by Sigma Gamma Rho Sorority, circa 1960. Young African American debutantes in formal gowns are seated in the foreground holding bouquets, while their escorts stand behind them in tuxedos and white gloves. The ceremony takes place before a large audience, reflecting the pageantry, mentorship, and community celebration associated with debutante traditions within African American social and civic organizations.
• Sigma Gamma Rho Sorority Debs, 1964
  Group photograph of members of the Eta Sigma Chapter of Sigma Gamma Rho Sorority posing with debutantes during the 1964 Debutante Ball. The women are arranged on a decorated stage beneath a banner reading “Sigma Gamma Rho Sorority Debs 1964,” dressed in formal evening gowns and gloves. Soror Evelyn Hood stands in the front row (left) beside a debutante and her mother. The image reflects the ceremonial elegance and mentorship traditions through which African American women’s organizations supported the presentation and development of young women.
• Rosemary Braxton's High School Prom, c. 1950
  Photograph of Rosemary Braxton seated with her prom date at a decorated high school prom, circa 1950. Braxton wears a formal gown and tiara, seated at a table beneath a large parasol centerpiece while a band performs in the background. The image captures a moment of celebration and elegance among African American youth, reflecting the importance of school dances and social rituals in mid-twentieth-century Black community life.
• Miss Black Teenage America Contestants, undated
  Group portrait of contestants in the Miss Black Teenage America pageant, photographed by Harmon Perry in the 1970s. The young African American women stand together wearing pageant sashes and fashionable gowns, smiling during what appears to be a stage presentation. Their hairstyles and clothing reflect the beauty, confidence, and cultural expression of Black teenage women during the era of the Black Power and natural hair movements.
• Los Angeles Chapter, Links, Inc. 1970 Cotillionettes
  Group portrait of the 1970 Cotillionettes presented by the Los Angeles Chapter of Links, Inc., shown in a formal page from the 20th Annual Cotillion booklet. The young African American participants are dressed in white debutante gowns and gloves, seated and standing in a staged arrangement that reflects the elegance, discipline, and ceremonial traditions of cotillion culture. The event introduced twenty-six young women in a program celebrating refinement, education, and community leadership.
• Eta Sigma Debutante Ball, 1964, Sigma Gamma Rho Sorority, The Aurora, 1965
  Magazine article from The Aurora (February 1965) featuring photographs from the Eta Sigma Chapter of Sigma Gamma Rho Sorority’s 1964 debutante ball. The images show the crowning of the “Queen of the Debutantes,” Gwendolyn Ann Robinson, and other young African American women participating in the formal presentation ceremony.
• Eta Sigma Chapter of Sigma Gamma Rho, Debutante Ball, 1967
  Black-and-white photograph of young African American women seated in a long row wearing formal white gowns and holding bouquets during the Eta Sigma Chapter of Sigma Gamma Rho Sorority debutante ball, 1967. The debutantes sit before a large audience gathered in a balcony and main floor, highlighting the scale and significance of the formal presentation ceremony.
• Beta Epsilon Sigma, Sigma Gamma Rho Sorority, Calendar Ball, The Aurora
  Magazine article from The Aurora featuring the Beta Epsilon Sigma Chapter of Sigma Gamma Rho Sorority’s 1965 “Calendar Girl” contest and annual Calendar Ball held in Columbia, South Carolina. The article includes a group photograph of the student contestants representing the months of the year and identifies Gail Olivia Cayruth as the 1965 Calendar Girl winner.
•  Debutante Ball- lady, father, and escort, undated
  Black-and-white photograph of a teenage girl being escorted by a teenage boy during a cotillion or debutante presentation while her father follows proudly behind them, circa mid-1960s.